In this class we apply the three levels ( LEVEL 1 , LEVEL 2 and LEVEL 3 ) of the Action Used in the three options of the Check. It is important to know all the details of the previous class, ACTION USED IN A CHACHACHÁ CHECK PART 1: EXPLANATION AND DIFFERENT TYPES OF CHECK , regarding the differences between the check options.

Before applying the Action Used in the Chachachá Check, it is advisable to study and practice the FORWARD RUMBA CHECK .
Today we will explain 3 different options to create a Check before applying the Levels of the Action Used that we will see in the following class: ACTION USED IN A CHECK PART 2: LEVELS .

Today we are going to analyze and understand all the details of the Backward Lockstep and then we will apply the 3 Levels ( LEVEL 1 , LEVEL 2 and LEVEL 3 ) of the Action Used. Like the Forward Lockstep this one also comes from the Chassé family, although it has more difficulty when performing it backwards. For this reason, it is advisable to start with FORWARD LOCKSTEP. And also we recommend you to work first on BACKWARD WALK which is important to have learned to perform this step.

We have worked on the Weight Change in place and the Chassé, the two steps that create the Time Step as a star exercise to work on the ( LEVEL 1 , LEVEL 2 and LEVEL 3 ). In this class we will work on the Forward Lockstep that comes from the Chassé family, also made up of three steps but with the difference that it moves forward. It is advisable to work on the FORWARD WALK of chachachá since we will see that the Forward Lockstep has more difficulty, more details and it is faster, composed of the timing (Q, Q, S).

In this class we will apply the levels ( LEVEL 1 , LEVEL 2 and LEVEL 3 ) de THE ACTION USED IN CHACHACHÁ and we will see all the exercises in music.
Before applying the Action Used in Chachachá’s Backward Walk, it is advisable to understand and train the BACKWARD WALK OF RUMBA. In Chachachá we also use CUBAN MOTION but with different priorities. We will see all the details of the action and the importance of the rotation and push of the legs in Chachachá.